One of the biggest challenges for jazz guitarists is learning how to play the changes. In other words, how do you make your lines clearly follow the chord progression instead of just running scales over everything? A simple place to start is by practicing arpeggios for each chord and learning how to move between them … Read more
The Dm11 chord is one of those guitar voicings that instantly adds a modern, open sound to your playing. Whether you’re comping in a jazz combo or arranging solo guitar pieces, the Dm11 chord on guitar offers rich color with very little effort—especially if you use a rootless voicing like the one I’m about to show you. Let’s break it down. What Is … Read more
If you’re looking to level up your jazz playing, learning the right Cmaj7 guitar chord voicings is a great place to start. In this post, you’ll learn one of the most useful and versatile Cmaj7 shapes, how it fits into a ii V I progression, and how to connect it with a scale and melodic line that … Read more
If you’re looking to add tension, color, and voice-leading options to your dominant 7th chords, the D7#5b9 chord should be in your toolkit. In this post, I’ll show you a rootless voicing that moves beautifully through a minor ii–V–I, plus a matching altered scale cell you can use to improvise. As always, I’ll break down how it works, when … Read more
This week we’re going to look at how to play a G9 chord on guitar, built with the 3rd on the bottom, then the flat 7th, the 9th, and the 5th—low to high. The finger pattern is simple: This is a great shape to use over any dominant 7th chord with a natural 9—like G9, … Read more
Practicing scales and arpeggios consistently might be the single biggest factor in whether or not you improve on jazz guitar. And they should probably be a major part of your guitar practice routines. I’ve written about this before, but the truth is simple: you don’t need to practice for hours. Even 5–10 minutes a day … Read more
When you’re learning how to play jazz, you spend a lot of time learning guitar scale shapes. They’re an important part of learning your instrument, and being able to play melodies or improvise. But one problem a lot of jazz guitar players run into is playing just one or two scale shapes in a solo. … Read more
Sometimes it’s hard to know how to get into jazz guitar. Especially if you’re already pretty good at a different style, like rock or blues. I’ve heard from some of my older students that they always wanted to get into jazz – but it just seemed too intimidating. That there’s too much to learn. They … Read more
5 Common CAGED System Problems for Guitar – And How I Solved Them CAGED system is a powerful tool for guitar players – if you know how to use it. You see, CAGED gives you a framework for creating any scale, chord, or arpeggio. And it’s also a helpful navigation tool for playing all over … Read more
Here’s one thing I know for sure: If I could learn how to play jazz guitar, anyone can. While I had a certain amount of aptitude for playing guitar in general, jazz guitar did not come naturally to me. But with the right approach and a little luck, I found myself on the right path. … Read more